I love you, O Lord, you alone
- Exodus 15:2
- Deuteronomy 6:5
- 1 Samuel 30:6
- 2 Samuel 22:2-51
- Psalms 18:2
- Psalms 61:2-3
- Psalms 104:3
- Psalms 116:1-2
- Psalms 118:4
- Psalms 144:1
- Isaiah 12:2
- Isaiah 63:1
- Jonah 2:2
- John 21:15-17
- Acts 27:22-25
- Romans 8:26-27
- 18
I love you, O Lord, you alone,
my refuge on whom I depend;
my maker, my Saviour, my own,
my hope and my trust without end.
The Lord is my strength and my song,
defender and guide of my ways;
my master to whom I belong,
my God who shall have all my praise.
2. The dangers of death gathered round,
the waves of destruction came near;
but in my despairing I found
the Lord who released me from fear.
I called for his help in my pain,
to God my salvation I cried;
he brought me his comfort again,
I live by the strength he supplied.
3. The earth and the elements shake
with thunder and lightning and hail;
the cliffs and the mountaintops break
and mortals are feeble and pale.
God’s justice is full and complete,
his mercy to us has no end;
the clouds are a path for his feet,
he comes on the wings of the wind.
4. My hope is the promise he gives,
my life is secure in his hand;
I shall not be lost, for he lives!
He comes to my side —I shall stand!
Lord God, you are powerful to save;
your Spirit will spur me to pray;
your Son has defeated the grave:
I trust and I praise you today!
© Author / Jubilate Hymns
Christopher Idle
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Tune
-
Jane Metre: - 88 88 D anapaestic
Composer: - Peacock, David Christopher
The story behind the hymn
Not many Psalms are included twice in Scripture. In the ‘hour of his highest prosperity and happiness, David composed this magnificent hymn of thanksgiving’ (Kirkpatrick). In response to a request for more hymns of the heart, not just the mind, Christopher Idle wrote this version while rector of Limehouse in 1977—a frankly Christian treatment of an ancient and mighty Psalm (most of which is found in 2 Samuel 22) defying Donald Davie’s characteristic view that ‘it can hardly be Christianized’. Isaac Watts seems a good model: ‘Thy love to saints in Christ their Head …’ etc; Doddridge’s extract has ‘Legions of foes beset me round,/ while marching o’er this dangerous ground … Now let the fiercest foes assail,/ their darts I count as rattling hail’. Today we sing in aspiration and fellowship, with apocalyptic language heightening the believer’s experience, rather than in merely individual testimony. Such was the spirit of Scheffler’s Thee will I love, my Strength, my Tower, as prompted by the Psalm, translated by J Wesley (742), and Lyte’s Whom should we love like thee as in Congregational Praise (1951) and CH. Though written with TREWEN in mind, CMI‘s version soon found a natural partner in David Peacock’s tune JANE, which he composed for this text while Director of Music at Clarendon School. It is named after his wife; words and music were launched together in HTC. The tune has an unusual modulation (but cf 19A following) and its opening phrase returns an octave higher at the end of each stz. Jane Peacock died, aged 46, in 1997, and this Psalm version was sung at her funeral service at Upton Vale Baptist Church in Torquay.
A look at the author
Idle, Christopher Martin
b Bromley, Kent 1938. Eltham Coll, St Peter’s Coll Oxford (BA, English), Clifton Theol Coll Bristol; ordained in 1965 to a Barrow-in-Furness curacy. He spent 30 years in CofE parish ministry, some in rural Suffolk, mainly in inner London (Peckham, Poplar and Limehouse). Author of over 300 hymn texts, mainly Scripture based, collected in Light upon the River (1998) and Walking by the River (2008), Trees along the River (2018), and now appearing in some 300 books and other publications; see also the dedication of EP1 (p3) to his late wife Marjorie. He served on 5 editorial groups from Psalm Praise (1973) to Praise!; his writing includes ‘Grove’ booklets Hymns in Today’s Language (1982) and Real Hymns, Real Hymn Books (2000), and The Word we preach, the words we sing (Reform, 1998). He edited the quarterly News of Hymnody for 10 years, and briefly the Bulletin of the Hymn Society, on whose committee he served at various times between 1984 and 2006; and addressed British and American Hymn Socs. Until 1996 he often exchanged draft texts with Michael Perry (qv) for mutual criticism and encouragement. From 1995 he was engaged in educational work and writing from home in Peckham, SE London, until retirement in 2003; following his return to Bromley after a gap of 40 years, he has attended Holy Trinity Ch Bromley Common and Hayes Lane Baptist Ch. Owing much to the Proclamation Trust, he also belongs to the Anglican societies Crosslinks and Reform, together with CND and the Christian pacifist Fellowship of Reconciliation. A former governor of 4 primary schools, he has also written songs for school assemblies set to familiar tunes, and (in 2004) Grandpa’s Amazing Poems and Awful Pictures. His bungalow is smoke-free, alcohol-free, car-free, gun-free and TV-free. Nos.13, 18, 21, 23A, 24B, 27B, 28, 31, 35, 36, 37, 48, 50, 68, 78, 79, 80, 81, 83, 85, 89, 92, 95, 102, 108, 109, 114, 118, 119A, 121A, 125, 128, 131, 145B, 157, 176, 177, 193*, 313*, 333, 339, 388, 392, 420, 428, 450, 451, 463, 478, 506, 514, 537, 548, 551, 572, 594, 597, 620, 621, 622, 636, 668, 669, 693, 747, 763, 819, 914, 917, 920, 945, 954, 956, 968, 976, 1003, 1012, 1084, 1098, 1138, 1151, 1158, 1159, 1178, 1179, 1181, 1201, 1203, 1204, 1205, 1209, 1210, 1211, 1212, 1221, 1227, 1236, 1237, 1244, 1247, 5017, 5018, 5019, 5020.