He was pierced for our transgressions
- Psalms 19:14
- Isaiah 53:5-8
- Matthew 27:23
- Mark 15:14
- Luke 23:4
- Luke 23:13-15
- Luke 23:22
- John 18:35
- John 18:38
- John 19:4-6
- Acts 8:26-35
- Colossians 1:20
- 1 Peter 2:24-25
- Revelation 5:6
- 422
He was pierced for our transgressions
and bruised for our iniquities;
and to bring us peace he was punished,
and by his stripes we are healed.
2. He was led like a lamb to the slaughter,
although he was innocent of crime;
and cut off from the land of the living,
he paid for the guilt that was mine.
We like sheep have gone astray,
turned each one to his own way,
and the Lord has laid on him
the iniquity of us all.
(descant on repeat of chorus)
Like a lamb, like a lamb
to the slaughter he came
and the Lord laid on him
the iniquity of us all.
© 1987 Kingsway's Thankyou Music
Maggi Dawn
Downloadable Items
Would you like access to our downloadable resources?
Unlock downloadable content for this hymn by subscribing today. Enjoy exclusive resources and expand your collection with our additional curated materials!
Subscribe nowIf you already have a subscription, log in here to regain access to your items.
Tune
-
He was pierced Metre: - Irregular
Composer: - Dawn, Maggi Eleanor
The story behind the hymn
Maggi Dawn’s ‘Scripture song’ uses Isaiah 53:5–7, staying close to the NIV text, and (like the prophet) not naming the one who was then to come, and has now done so. Written in 1987, it first entered MP in 1990, and then appeared in other collections. The author’s own tune HE WAS PIERCED is arranged by Christopher Norton, who has a different version in Hymns for the People (1993) and Let’s Praise 2 (1994), where the tune is called LIKE A LAMB.
A look at the author
Dawn, Maggi Eleanor
b 1959. Her most popular single work featured in MP, Spring Harvest collections and other books of the 1980s-90s. Backed by music from husband Andy Cross she has recorded ‘Something in the atmosphere’ and other songs. After some years as a singer, songwriter and musician she studied at Fitzwilliam Coll (MA 1996) and Ridley Hall Cambridge, where she trained for ministry; ordained (CofE) 1999. Following a curacy at Ely which included occasional music leadership she became Chaplain of King’s Coll Cambridge in 2001, and from 2003 Chaplain of Robinson Coll in that city. She has appeared regularly at the ‘Greenbelt’ Christian arts festival, on BBC Radio 4, and as a contributor to writing about liturgy. Her PhD was on aspects of S T Coleridge’s writing; identifying with a post-evangelical commitment to the ‘emerging church’, in 1997 she wrote You have to change to stay the same. She has recently observed that (for various reasons) ‘ordinary worshippers still find themselves disempowered in church’; and in 2004 (warning against a constant and finance-driven thirst for novelty) that ‘praying through the same texts over decades, through love and celebration, through bereavement and unemployment, through lean and rich times, unlocks a deeper level of engagement with those texts’. A more traditional song from 1994 is Into the darkness of this world, which is often used in Advent or Christmas and appears in Carol Praise (2006). and Sing Praise (2010). No.422