Child of the stable's secret birth

Scriptures:
  • Psalms 29:3-5
  • Psalms 49:14-15
  • Psalms 83
  • Psalms 136:3
  • Proverbs 27:20
  • Proverbs 30:15-16
  • Isaiah 51:6
  • Isaiah 53:4-5
  • Matthew 8:23-27
  • Matthew 24:35
  • Matthew 26:39-42
  • Matthew 26:42
  • Matthew 27:35
  • Mark 4:35-41
  • Mark 10:32
  • Mark 13:31
  • Mark 14:36
  • Mark 15:17
  • Mark 15:25-32
  • Luke 2:1-20
  • Luke 8:22-25
  • Luke 22:42
  • Luke 23:33
  • John 1:3
  • John 3:16
  • John 19:2
  • John 19:5
  • John 19:18
  • Romans 5:1
  • Philippians 3:14
  • Colossians 1:16
  • Colossians 3:1-2
  • Hebrews 1:2
  • 2 Peter 3:10
  • Revelation 1:15
  • Revelation 20:11-13
  • Revelation 21:1
Book Number:
  • 351

Child of the stable’s secret birth,
the Lord by right of the lords of earth,
let angels sing of a King new-born,
the world is weaving a crown of thorn:
a crown of thorn for that infant head
cradled soft in the manger bed.

2. Eyes that shine in the lantern’s ray;
a face so small in its nest of hay,
face of a child who is born to scan
the world he made through the eyes of man:
and from that face in the final day
earth and heaven shall flee away.

3. Voice that rang through the courts on high
contracted now to a wordless cry,
a voice to master the wind and wave,
the human heart and the hungry grave:
the voice of God through the cedar trees
rolling forth as the sound of seas.

4. Infant hands in a mother’s hand,
for none but Mary may understand
whose are the hands and the fingers curled
but his who fashioned and made our world:
and through these hands in the hour of death
nails shall strike to the wood beneath.

5. Child of the stable’s secret birth,
the Father’s gift to a wayward earth,
to drain the cup in a few short years
of all our sorrows, our sins and tears;
ours the prize for the road he trod:
risen with Christ; at peace with God.

© Author / Oxford University Press
Timothy Dudley-Smith

The Son - His Birth and Childhood

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Tune

  • Foye
    Foye
    Metre:
    • 89 99 98
    Composer:
    • Ruddle, Valerie Anne

The story behind the hymn

There is a reason for the unique unevenness of the syllable-count in a text by Timothy Dudley-Smith. He wrote it at Sevenoaks in Feb 1969, as a verse for the family Christmas card, planned well in advance that year. It also appeared in Crusade magazine, which he formerly edited, in Dec (see notes to 405). It was ‘noticed’ by Christopher Dearnley, then the St Paul’s Cathedral organist, whose tune for it was to be included in English Praise and recorded by the cathedral choir. TDS: ‘… had I been aware of this possibility earlier, I might have tidied up the metrical consistency of the verses—but there it is’. More important, the author has (as ever) brought the congregation to face not only the baby but the crucified and risen Lord.

That first tune, often reprinted, was MORWENSTOW; HTC added Norman Warren’s SECRET BIRTH. Valerie Ruddle’s tune FOYE is a later arrival, also written at Sevenoaks, at her home in 1981. She composed it at the suggestion of a Methodist Circuit gathering looking at proposed new texts for Hymns and Psalms, ‘in an attempt to draw out the warmth and tenderness of the words’. It is named from the old spelling (‘to avoid mispronunciation!’) of Fowey, used also for the family home at Sittingbourne. Like Morwenstow, Fowey is a Cornish seaside town; it was the home of the composer’s paternal grandmother. The tune was first published in the (Methodist) Hymns and Psalms in 1983, and from 1986 has been set to Fred Pratt Green’s Where does our salvation start, which he wrote for it at the composer’s request.

A look at the author

Dudley-Smith, Timothy

b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.

For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.